"This is very good progressive folk music. Well, there are lots of acoustic instruments involved: acoustic guitars, bassoon, saxophone and tons of xylophone among others. The tracks are quite loaded, and the main attraction is this highly pitched childish & fragile female lead vocals: one can easily fall under its charm: very addictive indeed! There are not tons of keyboards, but they are at the right place at the right time. The bass is definitely not timid. There are couples of psychedelic parts which IMO remove some worthiness to this record, but compared to their "First utterance" album, this record is quite more down to earth and less strange.." - greenback-ProgArchives

"Despite existing only for a brief period during the early 70s and being largely obscure throughout that period, it's undoubtable that COMUS was one of the most interesting bands to emerge from the folk-prog scene. It could be said that they're a far more deranged and experimental version of JETHRO TULL, although to say this wouldn't quite do them justice. Their songs often go from beautiful mellow passages to strange, tribal chanting, their lyrics often being brutal and graphic.." - ProgArchives