"TRESPASS is more pastoral and low-key than the Genesis albums that followed it. The interplay between guitarist Anthony Phillips and bassist Mike Rutherford finds the group at its folkiest and most subdued. Tony Banks hadn't yet turned to the synthesizer. Peter Gabriel had not yet reached the heights of poetic socio-political broadside that would mark such albums as FOXTROT. The anomaly here is "The Knife," a gloriously bombastic track full of classical motifs, thundering riffs and rhythms, and a strong anti-war message. It would become one of the most-loved early Genesis tunes. Drummer John Mayhew might be the Pete Best of prog-rock, as he was Genesis's original drummer, ultimately replaced by future bandleader Phil Collins. On this, Mayhew's final recording with Genesis, he shows taste and restraint, laying out for long sections while the sonic tapestries of the guitars and keyboards unfold. Though not an essential pick in the Genesis catalogue, TRESPASS is a satisfying snapshot of this important band's formative development." - Trespass CD Notes

"Everybody can´t compare this album to Trespass or Foxtrot, because the musical style is very different. We have to consider that most songs were written between 68 and 69, and there was no progressive rock like in seventies. But we can see the talent of the band, with good melodies and beautiful string arrangements that fit perfectly the songs of that era. This proto-progressive album hasn´t the progressive sound of Trespass and the next albums, but listening to it, for me, is so pleasurable as listening to Selling England by the Pound, my favorite Genesis´ album." - akin-ProgArchives